in short:

 

The performance follows a passive inhabitant trapped in his own illusions. AMOW, a mythical force, distorts his comfort into a nightmare, pulling him between waking and dreaming.

 

Black wires, light bulbs, and suspended furniture without walls expose the home’s intestines. The scenography becomes a possessed mechanism.

 

Through aerial straps and hair suspension, the artist’s body becomes the threshold between structure and void, interwinding between circus, contemporary puppetry, and rigging design.